Every shot in a Didascalies flipbook is read through three lenses. The Making documents how the shot was produced — crew, light, lens. The Frame Speaks reads what the composition argues — axis, poles, thesis. The Bloodline traces the shot's descendants in cinema history.
Your team will apply this method to a film of your choice, one shot at a time, and produce a flipbook indistinguishable from the published Didascalies volumes.
Each team member takes a role. You can divide by shot (each person owns their shots end-to-end) or by register (one person writes all the Making, another all the Frame Speaks).
No shots yet.